People who make guitars and surfboards, bread and pants, are driven by the pleasure of manifestation, the urge to work with their hands, and the need to work autonomously. Artists too, most artists, forego security and luxury in fealty to that same urgency. Filmmakers indebt themselves to the story that compels them. Not because it is a good investment. Farmers take second jobs so they can keep their land in production. I did not know that journalists who provide the food of democracy, also do this.
“I worked as an art director inadvertising for 29 years. First as a consultant and then for more than 10 years in Sennheiser. On my 10 years anniversary, they gave me candlesticks as a present. This was too much. I had saved a lot of holidays, so I used them to go study ice cream in Italy and then I quite and opened Favvo Glass. I used to have sleep problems and pain in my body in my back, arms. Now I’m on my feet all day, but the physical pain is gone.”
His explanation of his strategic capacities is “I am an electrician.” This reminds me of Matthew Crawford’s painstaking work on the “cognitive riches” of trade labour. (Summary here.) Crawford’s point is that trade work is satisfying. Wałȩsa’s point is that it is also a form of analytic training.
“Composting and growing carrots is a nice start, but we need to get rid of the growth economy, make the global economic system work to meet needs, and replace capitalism with a different economic system that works for people. Most Green people are stuck at the level of compost heaps, which don’t have a chance of saving us. We don’t want to be a society full of compost heaps heading for disaster. Growing carrots locally is just the first step to changing the economy.”
I was invited to speak at Design your Day Job, organized by &Company, part of Vivid Ideas 2013. 25 May 2013 Sydney Australia I’m new to
Matthew B. Crawford, Shop Class as Soulcraft: An Inquiry into the Value of Work. 2009: Penguin Books. If the regard that many people now have